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It’s All About Timing

Stop Scoring to Picture

Mickey Mouse is Dead

Pace Yourself

Glue and Grease

De-Clutter Your Scores


P.S. Click here if you’re ready to start landing paid composing work.

🤔 But How Do You Really Feel?

Here’s a tip that’ll change the way you score scenes forever. 🤯

Many composers start scoring to picture by scoring what they see.

If the character is angry, they’ll think:

“What does angry music sound like?”

https://media0.giphy.com/media/11tTNkNy1SdXGg/giphy.gif?cid=7941fdc6d95y7ksfiupr0q63t404fdiej1ndssmueo2z9y5q&ep=v1_gifs_search&rid=giphy.gif&ct=g

Here’s the problem.

To make a real impact as a contributor to the picture, the music needs to speak to what we don’t see on the screen.

Is that character really angry?

Or are they just lonely, betrayed, or heartbroken? 💔

(This is what separates the good composers from great ones)

By aiming to capture a character’s unspoken thoughts and feelings, we speak to how they really feel.

That enables our audience to relate to them far deeper than if we mirrored their surface-level emotions.


🤔 Questions to Ask

Here’s a few questions you can ask yourself when spotting a scene to get to the heart of it.

  1. “What can my music offer to this scene that ISN’T already there?”
  2. “What’s this character REALLY thinking or feeling?”
  3. “How does this moment impact the characters hopes, dreams, desires, or fears?”

Explore how music can speak to these points, and you’ll notice a huge difference in how it impacts the scene.

Let your music speak to the unspoken.